The fascinating progression of Tigran’s paintings is connected to Tigran’s life experiences as an Armenian, father, immigrant, and artist.
His art is urgent and relative. While his work is modern, Tigran is always loyal to classical art. His paintings draw on iconographic Renaissance paintings, multi-figure monumental works, and Hellenic reliefs depicting Gigantomachy. This aesthetics is traced from Tigran’s earliest works and has become bolder as Tigran’s works progress.
igran’s two most recent series, Mirrors and Self Isolation,
explore society’s obsession with social media, and the balance between privacy with self-promotion on social media. The works are hyper- realistic while also profound and layered – the portraits display an unfiltered woman piercing through closed hands —the natural gesture for hiding one’s face.
The transparency of the hands, however, are a thinly disguised veil that only partially reveals or disguises the subjects, similar to photography filters used to obscure reality on social media platforms, idealizing their selves and hiding behind other images.
the course of my work, I came into